Oil Impasto
Golden retriever portrait


Loaded brush ridges and full-strength pigment — the closest thing to a shop-bought kit.
Gallery
Each pair below is a finished painting next to the numbered outline our code extracted from it. Hover or tap the picture to swap between the two. Nothing here is a mock-up — every outline was produced by the same pipeline that runs on the Create page.
How to read a pair
The painting shows the look a preset aims for. The outline shows what you actually print: closed areas, each carrying the number of the colour that fills it. Presets with softer edges produce more areas; flat presets produce fewer and larger ones.
Golden retriever portrait


Loaded brush ridges and full-strength pigment — the closest thing to a shop-bought kit.
Mountain lake with a rowing boat


Translucent washes and gentle edges. Kind to landscapes, still life and anything with sky.
Vintage bicycle and wildflowers


Solid blocks, no gradients. The easiest to paint and the hardest to get wrong.
Lavender field at sunset


Warm and cool dabs sitting side by side. Many small areas — for painters with patience.
Sailing boat on calm water


Dusty sage, oat and faded navy. Quiet on a wall, forgiving in the hand.
Tabby cat on a patterned armchair


Clean outlines and cheerful flat fills. The one to paint with children.
Red cabin in deep snow


Powder blue, snow white and grey, with a single warm accent doing all the work.
Sunflowers and watermelon


Thick contours and complementary colours. Reads from across the room.
Monstera and ferns in a ceramic pot


Matte opaque layers and tidy leaf shapes. Satisfying to block in.
Lighthouse above a bright sea


A clean horizon and broad bands of colour. The quickest of the ten to finish.
Straight from a photograph
These started as ordinary photographs rather than paintings. The middle image in each row is the tinted preview — the outline with its colours dropped in at low strength, which is how you check a sheet before committing paint to it.



24 colours · the softest end of the range, where fur turns into large readable bands.



24 colours · strong backlight, so most of the work is in four or five warm steps.



24 colours · hard shadow edges make this one of the easiest subjects to follow.



12 colours · flat hulls and stone, very few areas, an afternoon's painting.



12 colours · the lowest area count we see, because the picture is mostly bands.
Every picture on this page was produced with AI assistance and carries an AI-generated marker in its file metadata. The outlines, numbers and colour keys were computed by our own code from those pictures.